group
exhibitions |
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| education | |||
| Master
of Fine Arts, California College of the Arts, San Francisco, 2001. |
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| Bachelor of Arts in Visual and Performing Arts, University of Maryland Baltimore County, Baltimore, 1994. Magna cum laude. | |||
| 1/2-person exhibitions | |||
| 2007 | Hard/Soft, a public art project presented as part of Conflux 07, Brooklyn, NY. | ||
| 2006 | Degrees
of Separation, Women
and Their Work, Austin, TX. Plumb, Donkey Show at Motel 3 Complex, Contemporary Art Month, San Antonio, TX. |
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| 2003 | Your Space, Patrick Gallery, Winthrop University, Rock Hill, SC. | ||
| 2002 | Telling Time by Remote Control, Ampersand International Arts, San Francisco, CA. | ||
| 2001 | Pictures from Basements, New Nothing Cinema, San Francisco. | ||
| 2000 | Within/Without,
Long/Pollock Graduate Gallery, California
College of the Arts, San Francisco. 2-person Virginia, Long/Pollock Graduate Gallery, California College of the Arts, San Francisco. 2-person |
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| 1998 | Laundry,
Cellspace, San Francisco.
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| selected group exhibitions | ^ | ||
| 2007 | Between
To & From, New Jersey Center for
Visual Art, Summit, NJ. Conflux 07, Brooklyn, NY. Fountain NY, Glowlab, New York, NY. |
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| 2006 | The Floating Chair, CSC, Austin, TX. | ||
| 2005 | Temporary
Dividers, Ars Ipsa / CSC, Austin,
TX. Stitch in Time, Women & Their Work, Austin, TX. 22 to Watch: New Art in Austin, Austin Museum of Art, Austin, TX. Traveled to Galveston Art Center & the Dallas Contemporary. Catalog. Somewhere Outside It, Schroeder Romero, Brooklyn, NY. 5x7, Arthouse, Austin, TX. Traveled to Conduit Gallery, Dallas, TX. Small Works, Paul Sunderholm Gallery, San Francisco, CA. |
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| 2004 | Connect
the Dots, LeRoy Neiman Gallery, Columbia University, New York, NY. Closer In, Contemporary Artists Center, North Adams, MA. Catalog Draw_Drawing, Gallery 32, London, UK. Presented as part of the London Biennale 2004. Workshop@A102004, Area 10, London, UK. Score: Action Drawing, White Columns, New York, NY. Cracks in the Pavement: Gifts in the Urban Landscape, site-specific works at public locations in Austin, TX and in London, UK. Presented as part of the London Biennale 2004. 5x7, Arthouse, Austin, Texas. Travels to Brown & Dunn Contemporary, Dallas, TX. |
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| 2003 | Response,
McColl Center for
Visual Art, Charlotte, NC. Crossing Bridges, The Contemporary Jewish Museum at CBS MarketWatch, San Francisco. Monster Drawing Rally, Southern Exposure, San Francisco. Seventh Annual Fixed Price Art Sale, the Lab, San Francisco. Art + Design, 364 Hayes, San Francisco. Mark: Contemporary Drawings, Gallery 16, San Francisco. Accumulated Actions, Sonoma Museum of Visual Art, Santa Rosa, CA. |
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| 2002 | Cozy,
Spanganga, San Francisco. Delicat Surprise, Room Space, Gentilly, FR. Same/Difference, SF Camerawork at Hotel Triton, San Francisco. Sixth Annual Fixed Price Art Sale, the Lab, San Francisco. |
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| 2001 | Residual
Images, Studio Z, San Francisco. MFA CCAC 2001: Graduate Fine Arts Exhibition, California College of the Arts, San Francisco. Never Underestimate the Power of a Drawing, Refusalon, San Francisco. Produced through Drawings in Residence, a project by Marcy Freedman. Fifth Annual Fixed Price Art Sale, the Lab, San Francisco. Trace, Ampersand International Arts, San Francisco. |
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| 2000 | Young Portfolios 1999, Kiyosato Museum of Photographic Arts, Kiyosato, Yamanashi, Japan. | ||
| 1999 | Tender, Southern Exposure, San Francisco. | ||
| 1998 | New Work, Crucible Steel Gallery, San Francisco | ||
| exhibitions curated | ^ | ||
| 2005 | Cracks in the Pavement: Gifts in the Urban Landscape. In locations around the world. | ||
| 2004 | Cracks in the Pavement: Gifts in the Urban Landscape, presented as part of the London Biennale 2004, Austin, TX and London, UK. | ||
| 2000 | Interalia, Crucible Steel Gallery, San Francisco. | ||
| 1999 |
Marked Territories, Crucible
Steel Gallery, San Francisco. American American, Crucible Steel Gallery, San Francisco. |
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| 1998 | Inside the Visible, Crucible Steel Gallery, San Francisco. | ||
| 1996 | Glamorous vs. Household, Café International, San Francisco. | ||
| presentations | ^ | ||
| 2005 | Artist
lecture, Art and Culture Series, Texas State University, San Marcos,
TX. October 4. Artist talk, Austin Museum of Art, Austin, TX. September 8. |
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| 2003 | Artist
lecture, Winthrop University, Rock Hill, SC. October 6. Artist lecture and workshop, Sonoma Museum of Visual Art, Santa Rosa, CA. April 12. |
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| 2002 | Artist lecture, A Sense of Place, Society for Photographic Education Western Regional Conference, California College of the Arts, Oakland, CA. November 17. | ||
| 1999 | Television
interview, "Inside City Limits," TCI Cable: Marked Territories
exhibition, Crucible Steel Gallery, San Francisco. August. Moderator, artists’ talk programmed for American American exhibition, Crucible Steel Gallery, San Francisco. February 17. |
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| press/publications | ^ | ||
| 2006 | Richter, Till. "Fine Arts of Austin." Austin Monthly, Austin, TX, February 2006: p. 38. | ||
| 2005 | Van
Ryzin, Jeanne Claire. “The Saga of the Traveling Ars Ipsa.”
Austin-American Statesman. Austin, TX, December 29. Haskell, Caitlin. “’A Stitch in Time’ at Women and Their Work.” …Might Be Good. Austin, TX, December 16. Brenner, Wayne Allen. “Temporary Dividers.” Austin Chronicle. Austin, TX, December 15. Hixson, Kathryn. “New Art in Austin: 22 to Watch.” Glasstire.com, Houston, TX, November 4. Van Ryzin, Jeanne Claire. “22 to Watch: Updates from the Live Art Capital of the World.” Austin-American Statesman, Austin, TX, October 2. Shirazi, Reza. “Cracks in the Pavement.” Voices of Art Magazine, San Antonio, TX. Vol 13 issue 2: 30-31. “New Art at AMOA,” In the Galleries Austin, Austin, TX. September: vol 3 issue 6: newsletter section. Koper, Rachel. “22 to Think About,” Austin Chronicle, Austin, TX. August 26: pp 36, 38. Friis-Hansen, Dana and Housefield, James. New Art in Austin: 22 to Watch exhibition catalog. Austin Museum of Art. 2005: pp 7, 30-31. Orendine, Simone. “Hidden Art Found!” WFAE News Extras, WFAE Public Radio, Charlotte, NC. July 28. Orendine, Simone. “Search Begins for Hidden Art,” WFAE News Extras, WFAE Public Radio, Charlotte, NC. July 7. “Somewhere Outside It (Pick)”. ArtCal.net. New York, NY. June. http://www.artcal.net/event/view/2/902 Pepper, Keane. “Keane Pepper’s Summer Art Crawl,” Free Williamsburg, Brooklyn, NY. July 4. Jama, Artan. Interview on Cracks in the Pavement. Alchemy. SBS Radio, Melbourne, Australia. June 29. Faires, Robert. “Good Art Hunting.” Austin Chronicle. Austin, TX, June 27. Cousins, Charlotte. “Cracks in the Pavement.” … Might Be Good, Austin, TX, June 24. Van Ryzin, Jeanne Claire. “Fresh Air Art.” Austin-American Statesman, Austin, TX. June 23. Blackmur, Amy. Interview on Cracks in the Pavement. Weekend Lunch. Triple J Radio, Australian Broadcasting Corporation, Melbourne, Australia. June 12. Young, Allison. “Bright Sun Partial Shade,” The Front Row, KUHT Public Radio, Houston, TX. June 6. |
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| 2004 | Contemporary
Artists’ Center. September 2004 exhibition catalog. September
2004: cover, 6. Brand, Heather. “Sublime Stitching: Fabric Fine Art,” Tribeza September 2004: no. 38: 46-47. “Cracks in the Pavement Unites Austin and London,” Art Papers July/August: 9: Headlines section Van Ryzin, Jeanne Claire. "Treasure hunt gives viewers a part in the show." Austin-American Statesman June 24, 2004: 24. Faires, Robert. "Searching for the Wild Art." Austin Chronicle June 17, 2004: 38,40. Moody, Julie. "Cracks in the Pavement: Gifts in the Urban Landscape." Morning Edition, KUT Public Radio 90.5, Austin, Texas. June 16, 2004. |
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| 2003 | McColl
Center for Visual Art. Response exhibition catalog. CD Rom. October. Berry, Colin. "’Accumulated Actions’ at the Sonoma Museum of Visual Art." Artweek June 2003: Vol 34 Issue 5: 15. Bing, Alison. "In the Details: Five Artists with a Singular Sense of Purpose." Kitchen Sink Magazine Spring 2003: Vol 1 Issue 3: 78-83. Bing, Alison. "Mark: Contemporary Drawings: Drawing Attention." SF Gate.com [San Francisco Chronicle website] May 1, 2003: Art E-Picks Section. |
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| 2002 | Olson,
Marisa. "Same/Difference: Offsite at the Hotel Triton." Camerawork
Fall/Winter 2002: Vol 29 Issue 2: 39. Bing, Alison. "Off Site: ’Same/Difference’ at the Hotel Triton." Artweek October 22, 2002: Vol 33 Issue 8: 28. Ross, Julie. "Same/Difference: art without reservations." Digitalcity.com August 28, 2002. Bing, Alison. "Same/Difference: Room Serviced." SF Gate.com [San Francisco Chronicle website] August 14, 2002: Art E-Picks section. Crump, Ann. "Art Speak: The Road Less Traveled." San Francisco Examiner April 18, 2002: C2 Westbrook, Lindsey. "Critic’s Choice: Art: ‘Telling Time by Remote Control’ and ‘Daily Docudrama’." San Francisco Bay Guardian March 20, 2002: 78. |
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| 2001 | California College of the Arts. CCAC MFA 2001 exhibition catalog: 14. | ||
| 2000 | Kiyosato Museum of Photographic Arts. Young Portfolios 1999 exhibition catalog: 21. | ||
| 1996 | Evenson, Laura. "Edinburgh By the Bay," San Francisco Chronicle, August 22. | ||
| collections | ^ | ||
| Kiyosato
Museum of Photographic Arts, Kiyosato, Yamanashi, Japan. |
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| Various private collections. | |||
| awards/residencies | ^ | ||
| 2005 | ArtPace
2007 International Residency Program shortlist. Louis Comfort Tiffany Foundation Biennial Award nomination. “Austin Critic’s Table Award,” Cracks in the Pavement: Gifts in the Urban Landscape. |
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| 2003 | Artist
in Residence, Winthrop University, Rock Hill, SC. Artist in Residence, McColl Center for Visual Art, Charlotte, NC. |
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| 1993 | "Juror’s
Award," First Annual Student Exhibition, Fine Arts Gallery, UMBC, Baltimore.
"Faculty Award of Merit," First Annual Student Exhibition, Fine Arts Gallery, UMBC, Baltimore. |
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